The flow of paint is associated with the flow of words, the magic of words pouring down onto Man. I want to create a kind of substitution for the person portrayed, that is, the human being and the background. Since I deem the person portrayed to be a bearer of information as information per se, as an everlasting, more or less vivid, backdrop out of which the richest and most interesting pieces are selected, the background is clearly defined... The viewer is already clued-up, – he is mesmerized by the colour and the amount of information that the image contains. Thus, I draw an analogy between colour and sound. The impersonality that I focus on in my works is one of the most typical signs of Man as part of the masses. The individual way of socio-political thinking and behaviour gives up under the onslaught of standardised passions and is replaced by impulsive reactions.

Bright and sensual colour refers to the predominance of the sensual over the conscious, which is evident in the masses within the whirlpool of manipulative information. Reason is, to a greater or lesser degree, overwhelmed by feelings, and critical thinking disappears... So, the Mass Media not only reflects reality, but is also instrumental in the creation of a new one. In light of this, I try to convey to the viewer that reality now being created, but in a different form – that of painting.